Franchesca is an aspiring young musical actress whose career is being orchestrated by her mother (played by the incomparable Varla Jean Merman) and her mother's pals. Riotous humor, inventive musical numbers, and the sheer talent of the cast - especially Varla Jean Merman - make this film entertaining from beginning to end. If you enjoy John Waters, Pedro Almodovar, or inspired lunacy in general, you'll love this one.
Critics Consensus No consensus yet. Tomatometer Not Yet Available TOMATOMETER Total Count: N/A Coming soon Release date: Audience Score Ratings: Not yet available Franchesca Page Ratings & Reviews Explanation Movie Info Starring drag queen Varla Jean Merman, this campy musical comedy tells the backstage tale of a catty producer out to sabotage a Broadway disco extravaganza and of a stage mother who becomes the hit of the show after she takes the place of her terrified, untalented daughter in the spotlight. Rating: NR Genre: Directed By: Written By: Runtime: 91 minutes Cast Critic Reviews for Franchesca Page There are no critic reviews yet for Franchesca Page. Keep checking Rotten Tomatoes for updates! Audience Reviews for Franchesca Page Franchesca Page Quotes Movie & TV guides.
Directed by Kelley Sane Writing Credits (in alphabetical order) Kelley Sane... (writer) Cast Maureen Griffin... Lady in the Lounge Rossy de Palma... Veronica Joe Pirolli... Mr. Edwards Jeffery Roberson... (as Varla Jean Merman) Rhonda Ross Kendrick Produced by Pietro Cuevas... producer Mark Downie... producer (as Mark E. Downie) / producer Todd Lippiatt... co-executive producer D. J. Paul... Jonathan Porcelli... associate producer Ouida Washington... line producer Film Editing by Thomas Ostuni Second Unit Director or Assistant Director Ra-Ana Gilani... second assistant director Jeremy Slutskin... first assistant director Sound Department Antonio L. Arroyo... sound mixer Camera and Electrical Department Jon Delgado... gaffer Costume and Wardrobe Department Elana C. Fisher... wardrobe supervisor Editorial Department Jim Finn... negative cutter Script and Continuity Department Maureen Tuohy... script supervisor Other crew Adiel Skarmetta... production assistant.
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I saw this movie a while ago in Los Angeles. I thought it was hilarious. Everyone in the audience were laughing their heads off. The muscial numbers were really funny and the dialog was clever and funny too. It reminded me of the film the PRODUCERS.
The story follows a talentless girl and her dominating stage mother. The girl is cast in a broadway play set to fail. The mother ends up taking her place and making the show a hit. It was funny
I wish I could find the video for this film but I don't think it's available. If you get a chance to see this, do it, it's really really funny.
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June 9, 1997 12:00AM PT Amusical comedy about a zealous stage mother whose star quality ultimately surpasses that of her untalented daughter, "Franchesca Page" has an amusing score and a vivacious lead in statuesque drag queen Varla Jean Merman but comes up short in terms of filmmaking craft. Trimmed by 15 minutes and with more music added since it premiered in a midnight slot at Sundance earlier this year, this cheap and cheesy cross-dressing tuner offers sporadic laughs but lacks the smarts and style to go beyond gay fests and the most marginal release situations. Amusical comedy about a zealous stage mother whose star quality ultimately surpasses that of her untalented daughter, “Franchesca Page” has an amusing score and a vivacious lead in statuesque drag queen Varla Jean Merman but comes up short in terms of filmmaking craft. Trimmed by 15 minutes and with more music added since it premiered in a midnight slot at Sundance earlier this year, this cheap and cheesy cross-dressing tuner offers sporadic laughs but lacks the smarts and style to go beyond gay fests and the most marginal release situations. Following a mysterious death in the cast of Broadway disco spectacular “The Lady Does It All, ” former showgirl Rita Page (Merman) pushes her daughter Franchesca (Franchesca Leon) to audition as the star’s understudy. Despite a disastrous tryout, she is hired at the insistence of dominatrix producer Veronica (Rossy de Palma), who is introduced being orally pleasured by her slave-companion and asking, “Do you mind if I smoke while you eat? ” When the director’s assistant also is killed in suspicious circumstances, and the star breaks her ankle after being pushed down the stairs, Rita learns that Franchesca is a pawn in the producer’s sabotage plot. Vowing to thwart Veronica’s plans to collect on insurance, Rita tirelessly coaches her daughter in the buildup to opening night, learning her routines in the process. When nerves and awareness of her own ineptitude prompt Franchesca to bow out, Rita slips rather improbably into the diminutive girl’s costumes and makes the show a surprise hit. Dialogue such as “That Oktoberfest number was incredible! I smell Tony, ” raises a chortle, but generally there is too little happening around the songs. These are written with considerably more spark, varying in style from traditional show tunes to gospel to country to tender ballads. The energy level in the choreography is all over the map. Merman (aka Jeff Roberson) combines the physical presence of a buxom Russ Meyer starlet with a hint of perky Doris Day and some of the brassiness of her spiritual mother, Ethel Merman. Pedro Almodovar regular de Palma also provides some arch fun with her heavily accented English, but both are wildly underused. Most of the remaining cast cultivates an indifferent acting style that seems intentionally reminiscent of vintage John Waters. First-time writer-director Kelley Sane is unable to keep the blithely derivative plot moving, and much of the humor falls flat. Clumsily framed and shot naggingly close to the actors, the film has a cramped look that does nothing to disguise its minimal production values. Paramount Players has lost two of its executives, with Matt Dines and Ali Bell leaving their posts as executive vice presidents of development and production. A spokesman for Paramount told Variety that there are no plans to shutter the three-year-old division in the wake of the departures. Wyck Godfrey, Paramount’s motion pictures group president, remains [... ] It was an evening of elegance at the Los Angeles premiere of Focus Features’ “Emma” on Tuesday night. 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Camp maybe, but I do think this film lacked something. The humour may have suited some, but in Auckland the humour seemed somewhat irrelevant. Thick false accents, bad lip-sink and a thin story line make this one of those films that you should see if you are bored. The drag aspect was charming, but really, keep it in the clubs and not on the big screen.
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